Moser, Kenneth

Scope and Contents

Largely contains logistics documentation regarding the installation of American Identities. There are a small amount of didactics, and there is a memo discussing the artist Fred Wilson's visit to view the exhibit with staff. There is also a New York Times review of the exhibit.

Scope and Contents

Includes memos with conservation, drafts of didactics, collaboartions with Prints, object labels, and decisions on where the installation will be within the Museum.

Scope and Contents

Includes printed out emails and other correspondence, largely between Museum employees.

Scope and Contents From the Series: Exhibition titles are written with the full name of the exhibit followed by the dates the exhibit was open to the public in brackets. For example: Basquiat [03/11/2005-06/05/2005]. Dates of materials in the folder will span beyond the run of the exhibit and signify their creation date. Curatorial Assistants and Associates often contribute to other department's exhibitions and at times report to multiple departments. For example, Indira Abiskaroon Valbuena was the Contemporary and...

Scope and Contents From the Series: Exhibition titles are written with the full name of the exhibit followed by the dates the exhibit was open to the public in brackets. For example: Basquiat [03/11/2005-06/05/2005]. Dates of materials in the folder will span beyond the run of the exhibit and signify their creation date. Curatorial Assistants and Associates often contribute to other department's exhibitions and at times report to multiple departments. For example, Indira Abiskaroon Valbuena was the Contemporary and...

Scope and Contents From the Series:

This series contains general administrative files regarding the day to day operations of the department, event planning, collaborations with other departments within the Museum, and staff files. The series is largely composed of correspondence, reports, and CVs.

Scope and Contents "Conservation of Contemporary Art: Mark Rothko: A Case Study" by Dana Crammer; "Legal Aspects in the Contemporary Art World" by Suan Biederman; "Reconstructing Art in an Era of Deconconstruction" by Ronald Feldman; "Ethical Concerns in the Conservation of Contemporary Art" Denise Domergue; "Questions of Conservation for a Collector of Contemporary Art" by Margart Matthews Berenson; "Collecting for the Future" Charlotta Kotik; "Conserving for the Future" by Ken Moser; Materials and Techniques...

Scope and Contents From the Series:

Permanent gallery installations and collection activations utilize Museum collection objects and are separated from exhibition records.

This series contains internal correspondence, didactics, object labels, checklists, and research.