Waller, Richard

Scope and Contents

Brochure produced by Richard Waller.

Scope and Contents

Senior citizens program brochure, likely produced by Richard Waller.

Scope and Contents

Richard Waller discusses the Community Gallery's model, juried exhibitions, and forms. Deborah Schwartz discusses press releases and brochures. The seminar spans sides A and B of tape 191 and side A of 192.

Abstract The Community Gallery records document the administrative and exhibition activities of the gallery from its founding in 1968 until its closure in early 1986. In 1967 members of the artist group FICE demanded that the Brooklyn Museum exhibit from the local community and display artwork created by BIPOC artists. In repsonse, the Museum created the Community Gallery and hired Henri Ghent, the first Black man in a Director/administrative role at the Museum. Ghent, and later Richard Waller in the...

Abstract From the Collection: The Community Gallery records document the administrative and exhibition activities of the gallery from its founding in 1968 until its closure in early 1986. In 1967 members of the artist group FICE demanded that the Brooklyn Museum exhibit from the local community and display artwork created by BIPOC artists. In repsonse, the Museum created the Community Gallery and hired Henri Ghent, the first Black man in a Director/administrative role at the Museum. Ghent, and later Richard Waller in the...

Abstract From the Collection: The Community Gallery records document the administrative and exhibition activities of the gallery from its founding in 1968 until its closure in early 1986. In 1967 members of the artist group FICE demanded that the Brooklyn Museum exhibit from the local community and display artwork created by BIPOC artists. In repsonse, the Museum created the Community Gallery and hired Henri Ghent, the first Black man in a Director/administrative role at the Museum. Ghent, and later Richard Waller in the...

Abstract From the Collection: The Community Gallery records document the administrative and exhibition activities of the gallery from its founding in 1968 until its closure in early 1986. In 1967 members of the artist group FICE demanded that the Brooklyn Museum exhibit from the local community and display artwork created by BIPOC artists. In repsonse, the Museum created the Community Gallery and hired Henri Ghent, the first Black man in a Director/administrative role at the Museum. Ghent, and later Richard Waller in the...

Abstract From the Collection: The Community Gallery records document the administrative and exhibition activities of the gallery from its founding in 1968 until its closure in early 1986. In 1967 members of the artist group FICE demanded that the Brooklyn Museum exhibit from the local community and display artwork created by BIPOC artists. In repsonse, the Museum created the Community Gallery and hired Henri Ghent, the first Black man in a Director/administrative role at the Museum. Ghent, and later Richard Waller in the...

Abstract From the Collection: The Community Gallery records document the administrative and exhibition activities of the gallery from its founding in 1968 until its closure in early 1986. In 1967 members of the artist group FICE demanded that the Brooklyn Museum exhibit from the local community and display artwork created by BIPOC artists. In repsonse, the Museum created the Community Gallery and hired Henri Ghent, the first Black man in a Director/administrative role at the Museum. Ghent, and later Richard Waller in the...

Abstract From the Collection: The Community Gallery records document the administrative and exhibition activities of the gallery from its founding in 1968 until its closure in early 1986. In 1967 members of the artist group FICE demanded that the Brooklyn Museum exhibit from the local community and display artwork created by BIPOC artists. In repsonse, the Museum created the Community Gallery and hired Henri Ghent, the first Black man in a Director/administrative role at the Museum. Ghent, and later Richard Waller in the...