Box 64
Contains 30 Results:
The Guennol Collection: Cabinet of Wonders [02/25/2000-05/07/2000], 2000
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Masterworks of African Art from the Collection of Beatrice Riese [03/24/2000-09/10/2000], 2000
Contains a full checklist and didactics/label copies.
French and American Impressionist Works from the Collection of the Brooklyn Museum (Japan venues) [04/28/2000-05/20/2000], 2000
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Working in Brooklyn: Glass Works: Emerging Artists [05/06/2000-09/02/2000], 2000
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Maxfield Parrish: 1879-1966 [05/26/2000-08/06/2000], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
William Merritt Chase: Modern American Landscapes, 1886-1890 [05/27/2000-08/13/2000], 2000
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Hip-Hop Nation: Roots, Rhymes and Rage [09/22/2000-12/31/2000], 2000
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
A Family Album: Brooklyn Collects [03/02/2001-07/01/2001], 2001
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Leon Golub: Paintings, 1950–2000 [05/18/2001-08/19/2001], 2001
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
My Reality: Contemporary Art and the Culture of Japanese Animation [07/28/2001-10/07/2001], 2001
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.