Box 64
Contains 30 Results:
Voice of Conscience: The Prints of Jack Levine [04/23/1999-06/20/1999], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Japonism in Fashion: Japan Dresses the West [11/20/1998-02/14/1999], 1998
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Working in Brooklyn: Domestic Transformations. Ann Agee, Ron Baron, Jean Blackburn, Andy Yoder [12/17/1998-03/14/1999], 1998-1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Lewis Wickes Hine: The Final Years [12/18/1998-04/04/1999], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Mariko Mori: Empty Dream [04/08/1999-08/15/1999], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Masterpieces of Ukiyo-e from the Brooklyn Museum of Art (travelling show to Tokyo) [04/29/1999-05/25/1999], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Impressionists in Winter: Effets de Neige [05/28/1999-08/29/1999], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Sensation: Young British Artists from the Saatchi Collection [10/02/1999-01/09/2000], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Eastman Johnson: Painting America [10/29/1999-02/06/2000], 1999-2000
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Working in Brooklyn: Artists Books [02/03/2000-05/07/2000], 1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.