Box 40
Contains 43 Results:
Hands of Rodin: A Tribute to B. Gerald Cantor [07/18/1997-09/28/1997], 1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Monet and the Mediterranean [10/10/1997-01/04/1998], 1997
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Graphic Alert: AIDS Posters from the Collection of Dr. Edward C. Atwater [10/16/1997-02/08/1998], 1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Working in Brooklyn: Scattered Petals, Fallen Leaves, Shards of Glass: The Work of Bing Hu [02/19/1998-05/10/1998], 1998
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Mexican Prints from the Collection of Reba and David Williams [03/02/1998-09/09/1998], 1998
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Joan Snyder: Works on Paper [03/07/1998-06/14/1998], 1998
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Barbizon Mood: French and American Paintings from the Brooklyn Museum of Art (Japan venues) [03/19/1998-10/12/1998], 1998
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Jewels of the Romanovs: Treasures of the Russian Imperial Court [03/20/1998-07/05/1998], 1998
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Masters of Color and Light: Homer, Sargent and the American Watercolor Tradition [05/07/1998-08/23/1998], 1998-1999
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Working in Brooklyn: Exterior/Interior: The Way I See It (5 Photographers) [05/24/1998-08/16/1998], 1998
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.