Box 40
Contains 43 Results:
Leon Polk Smith: American Painter [09/29/1995-01/07/1996], 1994-1995
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Steel: Photographs by Patricia Laymen Bazelon [10/13/1995-02/02/1996], 1995-1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Alone in a Crowd: Prints of the 1930s and 1940s by African-American Artists [02/25/1996-04/22/1996], 1995
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Converging Cultures: Art and Identity in Spanish America [03/01/1996-08/11/1996], 1995-1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Art of Thomas Wilmer Dewing: Beauty Reconfigured [03/22/1996-06/09/1996], 1995-1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Latin American Photography: A Spiritual Journey [09/12/1996-01/19/1997], 1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Drawings by Glenn Ligon: Evidence of Things Not Seen [09/27/1996-02/09/1997], 1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
In the Light of Italy: Corot and Early Open-Air Painting [10/11/1996-01/12/1997], 1994-1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Mistress of the House, Mistress of Heaven: Women in Ancient Egypt [02/21/1997-05/18/1997], 1996
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Process on Paper: Recent Acquisitions [06/07/1997-09/08/1997], 1997
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.