Box 1
Contains 94 Results:
The Studio: U.S. Indian School, Santa Fe, New Mexico [03/20/1936-04/12/1936], 1936
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
California Water Color & Post Surrealist Paintings [04/24/1936-Summer/1936], 1936
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Brooklyn-Long Island Tercentennial [05/-/1936-06/-/1936], 1936
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Balinese Arts: Painted Cloth and Woodcarvings by Colin McPhee [06/--/1936-08/--/1936], 1936
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Races of Man: Sculpture by Malvina Hoffman [10/-/1936- -/-/1936], 1936
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Four Centuries of Portraiture in Prints [10/10/1936-12/06/1936], 1936
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Art of the Dance in Photographs [11/01/1936-12/01/1936], 1936-1938
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Photographs of Contemporary Dancers by Thomas Bouchard [12/11/1936-01/03/1937], 1936-1937
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Drawings by André Dunoyer de Segonzac, from the Collection of Frank Crowninshield [12/11/1936-01/31/1937], 1936-1937
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.
Five Centuries of German Art [02/05/1937-03/07/1937], 1937
In the 1930s and 1940s, the Museum didn't create formal checklists. Lists and partial lists have been included where applicable.
Redacted copies have been included where appropriate. Personal information was redacted for privacy reasons.
A few exhibitions have photographs taken/kept by the Registrar's department. They have the subject tag photographs for clarity. The photographs are often unpacking, crating, and delivery photographs.